Assets
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The Temptation of St. Anthony
Support |
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Dimensions: | 22.4 x 34.6 cm |
Cut edge: | — |
Paper type: | Ivory wove paper, discolored to tan |
Pinholes: | ULC, possibly in URC |
Additional notes: |
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Sewing holes: | Vertically through center, 7.0 and 15.5 from the top edge
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Edges overlapping adj. sheet: | Right side of top edge; right side |
Edges extending below adj. sheet: | — |
Edges abutting adj. sheet: | Left edge |
Media |
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Colored pencil: | Black pencil is used to define the overall composition; applied prior to laying down color media; a denser/darker black pencil was applied over some pre-existing black pencil lines, to strengthen
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| Greenish-blue pencil is applied to the lower ground layer overall and at the upper left corner
A thicker greenish blue thick pencil/paint (caked/piled) at left side/edge; extends into 8B
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| Dark blue pencil is applied in the upper and lower center area in the beggar’s wrap/sign (?), in the upper right corner area in St. Anthony’s cloak, and possibly within the greenish blue pencil at the bottom
Bright thick blue pencil is applied in the bird at upper center
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| Yellow pencil is applied through the upper center in the beggar’s sign, and in the upper left area
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| Purplish-blue pencil at upper and center left side (?) |
| Traces of brownish red pencil applied at the upper-center left side in the boar face and back, in figure’s hand, and in fish’s face
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Graphite: | Possibly some traces of graphite at the center left side in the black passage and in the face of the boar |
Pastel: | — |
Watercolor: | Light purplish gray gouache was applied over pencil media to create patch as in 8E |
Scratching: | Possibly some traces of scratching in the boar’s head |
Additional media notes: | A thicker greenish blue thick pencil/paint (caked/piled) at left side/edge; extends into 8B
Traces of light thick orange-yellow paint/pencil, as seen in 8A-B, is used at the lower left side
The greenish-blue pencil at the center bottom area may have picked up some of the adhesive texture/pattern formerly used to mount the drawing—there is little evidence of the pattern on the verso
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Composition |
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Drawing to sheet edges: | Media extends to all edges |
Drawing into adjacent sheet: | A few drawn black pencil lines appear to extend over to 8B along the right edge, esp. in the figure’s neck, pitch fork handle and just below (?), as well as in the leg and clawed foot; colored pencil corresponds generally well
The colored pencil generally relates across to 8E
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Compositional changes/additions: | Gouache applied over media on pocket; perhaps later addition correlating with other later watercolor additions
Words at lower center drawn over in some areas with a darker black pencil
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Artist’s patches: | — |
Former restoration: | — |
Drawing on verso: | — |
Additional observations: |
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Analysis |
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Technique | Area/location | Results/observations |
Photo microscopy: |
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Ultra-violet radiation: |
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Infrared radiation: |
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Raman Spectroscopy: |
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X-Ray diffraction: |
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Aspect Ratio: 1