Assets
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The Tempatation of St. Anthony
Support |
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Dimensions: | 22.4 x 34.2 cm |
Cut edge: | — |
Paper type: | Ivory wove paper, discolored to tan |
Pinholes: | ULC (2?), center top, ULC, LRC and LLC |
Additional notes: | Media visible |
Sewing holes: | Center 5.8cm from top edge |
Edges overlapping adj. sheet: | Left and bottom edges (traces of edge fragments adhered on verso) |
Edges extending below adj. sheet: | Right top edge (2-3mm) and upper right edge (2-3mm) |
Edges abutting adj. sheet: | — |
Media |
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Colored pencil: | Two densities of black pencil are used to create the overall composition: a lighter pencil is used overall to define the composition over which colored pencil is applied; and then a darker pencil is used selectively to add lines and compositional elements in Christ’s hat and in the rays
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| Red pencil/conte crayon, was added in Christ’s hat and clouds over the black pencil
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| Yellow pencil is used in the light rays, below the yellow pastel additions
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| Touches of greenish blue pencil were added to tone the cross-hatched rays, particularly in the right bottom area
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Pastel: | Blue pastel is used in the sky and appears to be applied over blue pencil
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| Yellow pastel is applied in the upper area of rays and appears to be placed over the yellow and black pencil
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| Light pink pastel is visible in the upper region of the rays (see notes below) and is applied over the light black pencil
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Graphite: | Uncertain, not clearly visible |
Charcoal: | Charcoal may have been added in the clouds as this areas, lines appearing smudged/transferred |
Watercolor: | — |
Scratching: | — |
Additional media notes: |
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Composition |
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Drawing to sheet edges: | Black pencil media is visible at all edges; there is an absence of yellow pastel along the top edge |
Drawing into adjacent sheet: | *Composition corresponds to adjacent sheets; some lines correspond directly when the edges are abutted (noted on image)
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Compositional changes/additions: | The cap of Christ’s hat appears to have been added over the curved line of the monstrance
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Artist’s patches: | — |
Former restoration: | — |
Drawing on verso: | — |
Additional observations: |
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Analysis |
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Technique | Area/location | Results/observations |
Photo microscopy: | Pink pastel | Pastel components appears unevenly mixed; spots of light red colorant/pigment visible in strokes
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Ultra-violet radiation: |
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Infrared radiation: |
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Raman Spectroscopy: |
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X-Ray diffraction: |
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Aspect Ratio: 1