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The Tempatation of St. Anthony
| Support | 
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| Dimensions: | 22.4 x 34.6 cm | 
| Cut edge: | — | 
| Paper type: | Ivory wove paper, discolored to tan | 
| Pinholes: | Top center; possibly upper right corner | 
| Additional notes: | Blue pastel is visible along the edge of the pinhole | 
| Sewing holes: | Possibly in center, 7cm and 12.6 cm from top edge | 
| Edges overlapping adj. sheet: | Bottom edge | 
| Edges extending below adj. sheet: | Top edge (slightly, 2mm); right edge; and lower left edge (slightly, 1mm) | 
| Edges abutting adj. sheet: | Upper left edge | 
| Media | 
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| Colored pencil: | Two densities of black pencil are used to create the overall composition: a lighter pencil is used overall to define the composition over which colored pencil is applied; and then a darker pencil is used selectively to add lines and compositional elements (visual devices?) along the bottom edge and appears to be applied over the colored pencil 
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 | Orange-red pencil is used to color the balloon and in some of the rays 
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 | Yellow pencil is used in the light rays, below the yellow pastel additions 
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 | Greenish blue pencil is used to tone the cross-hatched rays 
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 | Blue pencil may be used in the sky, most visible along the top edge that was preserved below the join 
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| Pastel: | Blue pastel is used in the sky and appears to be applied over blue pencil 
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 | Yellow pastel is applied to the sky appears to be placed over the yellow pencil 
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| Graphite: | Graphite is visible irregularly in the cross-hatches rays (noted in green on image) 
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| Watercolor: | Yellow gouache is applied in a small passage in the sunray at the upper right | 
| Scratching: | — | 
| Additional media notes: | There is a grayish white media, possibly pastel in the lower center area—possibly applied by restorer to hide damaged areas 
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| Composition | 
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| Drawing to sheet edges: | Colored pencil lines extend to the edges; pastel passages do not extend to the edges 
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| Drawing into adjacent sheet: | *Composition extends over all edges to adjacent sheets when edges are overlapped/joined 
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| Compositional changes/additions: | The pastel used to enhance the sky appears to have been added after the sheet edges were joined | 
| Artist’s patches: | — | 
| Former restoration: | Possibly overpaint with pastel to hide damaged areas in center bottom area 
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| Drawing on verso: | — | 
| Additional observations: | 
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| Analysis | 
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| Technique | Area/location | Results/observations | 
| Photo microscopy: | 
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| Ultra-violet radiation: | 
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| Infrared radiation: | 
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| Raman Spectroscopy: | 
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| X-Ray diffraction: | Orange pencil | 
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Aspect Ratio: 1