Assets
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The Tempatation of St. Anthony
Support |
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Dimensions: | 22.4 x 34.6 cm |
Cut edge: | — |
Paper type: | Ivory wove paper, discolored to tan |
Pinholes: | Top center; possibly upper right corner |
Additional notes: | Blue pastel is visible along the edge of the pinhole |
Sewing holes: | Possibly in center, 7cm and 12.6 cm from top edge |
Edges overlapping adj. sheet: | Bottom edge |
Edges extending below adj. sheet: | Top edge (slightly, 2mm); right edge; and lower left edge (slightly, 1mm) |
Edges abutting adj. sheet: | Upper left edge |
Media |
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Colored pencil: | Two densities of black pencil are used to create the overall composition: a lighter pencil is used overall to define the composition over which colored pencil is applied; and then a darker pencil is used selectively to add lines and compositional elements (visual devices?) along the bottom edge and appears to be applied over the colored pencil
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| Orange-red pencil is used to color the balloon and in some of the rays
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| Yellow pencil is used in the light rays, below the yellow pastel additions
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| Greenish blue pencil is used to tone the cross-hatched rays
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| Blue pencil may be used in the sky, most visible along the top edge that was preserved below the join
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Pastel: | Blue pastel is used in the sky and appears to be applied over blue pencil
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| Yellow pastel is applied to the sky appears to be placed over the yellow pencil
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Graphite: | Graphite is visible irregularly in the cross-hatches rays (noted in green on image)
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Watercolor: | Yellow gouache is applied in a small passage in the sunray at the upper right |
Scratching: | — |
Additional media notes: | There is a grayish white media, possibly pastel in the lower center area—possibly applied by restorer to hide damaged areas
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Composition |
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Drawing to sheet edges: | Colored pencil lines extend to the edges; pastel passages do not extend to the edges
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Drawing into adjacent sheet: | *Composition extends over all edges to adjacent sheets when edges are overlapped/joined
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Compositional changes/additions: | The pastel used to enhance the sky appears to have been added after the sheet edges were joined |
Artist’s patches: | — |
Former restoration: | Possibly overpaint with pastel to hide damaged areas in center bottom area
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Drawing on verso: | — |
Additional observations: |
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Analysis |
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Technique | Area/location | Results/observations |
Photo microscopy: |
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Ultra-violet radiation: |
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Infrared radiation: |
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Raman Spectroscopy: |
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X-Ray diffraction: | Orange pencil |
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Aspect Ratio: 1