Assets
- Up: Ensor Images
- Prev: Drawing Sheet 7 C-D
- Next: Drawing Sheet 6 H-I
- WebApp Preview
The Temptation of St. Anthony
Support |
|
Dimensions: | 22.5 x 34.5 cm (approx., length of right side is filled)
|
Cut edge: | — |
Paper type: | Ivory wove paper, discolored to tan |
Pinholes: | ULC, LLC, lower center, and possibly in the lower-left center (restoration fills in upper and lower right corners)
|
Additional notes: | Media is visible within the pinholes |
Sewing holes: | Vertically through center 7.0cm from top edge |
Edges overlapping adj. sheet: | Top edge |
Edges extending below adj. sheet: | Right side of bottom edge (there was a slight gap between 7A and 8A)
|
Edges abutting adj. sheet: | Possibly right edge, though difficult to assess as the loss along this side was formerly restored
|
Media |
|
Colored pencil: | Black pencil is used to define the overall composition; applied prior to laying down color media
|
| Purple-blue pencil is used in clothes of the (exploding clown ?) figure
|
| Orange-red pencil is used to color the large (exploding clown ?) figure’s mouth, nose and other facial features; and the figure’s hair at the lower left
Orange-red pencil/conté crayon was used to highlight around a figure’s eyes at the left bottom edge and in another figure’s hair in the LRC; this media is visible below in 8A-B as well
Orange-red pencil/conté crayon (similar?) was used to highlight around a figure’s eyes at the left bottom edge and in another figure’s hair in the LRC over colored pencil; this media is visible below in 8A-B as well (also 4A, 4B?)
|
| Green pencil is used in the serpents body at the far right, in the vertical crossed columns in the background in the upper left area; and in the faces in the lower left side
|
| Blue-green pencil is used in the figure’s face in the LLC and in the (exploding) figure’s face
|
| Bright blue pencil applied over the figure’s legs in the ULC, and over the former patch covering the red shoes
|
| Possibly yellow pencil in the faces and hats |
Charcoal/chalk: | Possibly in the top hats |
Pastel: | Traces of yellow and black pastel at the right side, possibly extending from the former restoration fill
|
Watercolor: | Bright red gouache (vermilion) was applied to the figure’s shoes at the center left
|
| Possibly yellow watercolor/wash in the lower parts of the top hats, below the blue passages and in the hair of the top right (exploding) figure; yellow appears similar to that used extensively below in 8A
|
| Possibly red watercolor in lower right corner in figure’s face |
Scratching: | — |
Additional media notes: | Some media appears abraded or rubbed away in the figure’s top hat in the lower left area
**Important to note that media was applied later after the artist’s patch was applied, so the artist is reworking later (at the time the sky is reworked with pastel?)
**Orange-red pencil/crayon is applied over all other media.
|
Composition |
|
Drawing to sheet edges: | All visible edges (top left and right side were formerly restored); some color pencil is absent along
|
Drawing into adjacent sheet: | Difficult to assess completely due to extensive areas of edge loss; some image lines continue at the bottom edge into 8A-B,
|
Compositional changes/additions: | The large top hat at the bottom center may have been added over the two background figures, as some lines delineating their bodies are visible
The toothed mouth/subject at the upper left edge appears to be drawn over existing linear shading
|
Artist’s patches: | In the upper left area, two small patches were used to cover genitalia (?) and an officer’s (?) bright red shoes
|
Former restoration: | Along the left top edge and right side |
Drawing on verso: | — |
Additional observations: |
|
Analysis |
|
|
Technique | Area/location | Results/observations |
Photo microscopy: |
|
|
Ultra-violet radiation: | Red shoes | Faint dull orange fluorescence—possibly madder? |
Infrared radiation: | Words in top hats |
|
Raman Spectroscopy: |
|
|
X-Ray diffraction: | Red watercolor in shoes | Vermilion |
| Orange-red pencils/crayons |
|
Aspect Ratio: 1