Assets
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The Tempatation of St. Anthony
Support |
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Dimensions: | 22.4 x 17.0 cm |
Cut edge: | Possibly the right edge |
Paper type: | Ivory wove paper, discolored to tan |
Pinholes: | ULC |
Additional notes: | Media and fixative/adhesive is visible within the hole |
Sewing holes: | — |
Edges overlapping adj. sheet: | Right and bottom edges |
Edges extending below adj. sheet: | Top edge (1mm) |
Edges abutting adj. sheet: | — |
Media |
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Colored pencil: | Black pencil is used to define the overall composition; applied prior to laying down color media
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| Greenish-blue pencil is used in upper area in the sky and in the center area in the fish
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| Yellow pencil is applied at the center right in the fish’s head and vertically through the center in the spray of urine (?)
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| Green pencil is used in the train wheels and in the water/rock formation at the left side
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| Touches of red pencil are visible in the umbrellas and figures in the train and the train itself
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Graphite/charcoal: | Touches of graphite or charcoal are visible in the ULC; graphite or a lighter black pencil is used to create the figure and small insect-like creatures in the LRC
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Pastel: | — |
Watercolor: | — |
Scratching: | — |
Additional media notes: |
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Composition |
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Drawing to sheet edges: | All edges |
Drawing into adjacent sheet: | The composition extends quite directly to 3B, crossing over joined edges, along the right side of the sheet, most notably in the train at the top and the fish-like creature at the center; the greenish-blue pencil lines extends directly over the joined edges
The composition extends below into 4A uninterrupted; the lines best correspond when the edges are abutted and 4A is shifted slightly to the right
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Compositional changes/additions: |
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Artist’s patches: |
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Former restoration: |
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Drawing on verso: |
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Additional observations: |
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Analysis |
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Technique | Area/location | Results/observations |
Photo microscopy: |
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Ultra-violet radiation: |
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Infrared radiation: |
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Raman Spectroscopy: |
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X-Ray diffraction: |
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Aspect Ratio: 1