Notice: Undefined property: stdClass::$field_alt_tag in osci_tk_figure_field_formatter_view() (line 103 of /data/www/osci-new/sites/all/OSCI-Toolkit/modules/osci_tk_figure/osci_tk_figure.module).
Notice: Undefined property: stdClass::$field_alt_tag in osci_tk_figure_field_formatter_view() (line 103 of /data/www/osci-new/sites/all/OSCI-Toolkit/modules/osci_tk_figure/osci_tk_figure.module).
Notice: Undefined property: stdClass::$field_alt_tag in osci_tk_figure_field_formatter_view() (line 103 of /data/www/osci-new/sites/all/OSCI-Toolkit/modules/osci_tk_figure/osci_tk_figure.module).
Notice: Undefined property: stdClass::$field_alt_tag in osci_tk_figure_field_formatter_view() (line 103 of /data/www/osci-new/sites/all/OSCI-Toolkit/modules/osci_tk_figure/osci_tk_figure.module).
Notice: Undefined property: stdClass::$field_alt_tag in osci_tk_figure_field_formatter_view() (line 103 of /data/www/osci-new/sites/all/OSCI-Toolkit/modules/osci_tk_figure/osci_tk_figure.module).
Notice: Undefined property: stdClass::$field_alt_tag in osci_tk_figure_field_formatter_view() (line 103 of /data/www/osci-new/sites/all/OSCI-Toolkit/modules/osci_tk_figure/osci_tk_figure.module).
Notice: Undefined property: stdClass::$field_alt_tag in osci_tk_figure_field_formatter_view() (line 103 of /data/www/osci-new/sites/all/OSCI-Toolkit/modules/osci_tk_figure/osci_tk_figure.module).
Notice: Undefined property: stdClass::$field_alt_tag in osci_tk_figure_field_formatter_view() (line 103 of /data/www/osci-new/sites/all/OSCI-Toolkit/modules/osci_tk_figure/osci_tk_figure.module).
Notice: Undefined property: stdClass::$field_alt_tag in osci_tk_figure_field_formatter_view() (line 103 of /data/www/osci-new/sites/all/OSCI-Toolkit/modules/osci_tk_figure/osci_tk_figure.module).
Notice: Undefined property: stdClass::$field_alt_tag in osci_tk_figure_field_formatter_view() (line 103 of /data/www/osci-new/sites/all/OSCI-Toolkit/modules/osci_tk_figure/osci_tk_figure.module).
Notice: Undefined property: stdClass::$field_alt_tag in osci_tk_figure_field_formatter_view() (line 103 of /data/www/osci-new/sites/all/OSCI-Toolkit/modules/osci_tk_figure/osci_tk_figure.module).
Notice: Undefined property: stdClass::$field_alt_tag in osci_tk_figure_field_formatter_view() (line 103 of /data/www/osci-new/sites/all/OSCI-Toolkit/modules/osci_tk_figure/osci_tk_figure.module).
Notice: Undefined property: stdClass::$field_alt_tag in osci_tk_figure_field_formatter_view() (line 103 of /data/www/osci-new/sites/all/OSCI-Toolkit/modules/osci_tk_figure/osci_tk_figure.module).
Notice: Undefined property: stdClass::$field_alt_tag in osci_tk_figure_field_formatter_view() (line 103 of /data/www/osci-new/sites/all/OSCI-Toolkit/modules/osci_tk_figure/osci_tk_figure.module).
Notice: Undefined property: stdClass::$field_alt_tag in osci_tk_figure_field_formatter_view() (line 103 of /data/www/osci-new/sites/all/OSCI-Toolkit/modules/osci_tk_figure/osci_tk_figure.module).
Notice: Undefined property: stdClass::$field_alt_tag in osci_tk_figure_field_formatter_view() (line 103 of /data/www/osci-new/sites/all/OSCI-Toolkit/modules/osci_tk_figure/osci_tk_figure.module).
Notice: Undefined property: stdClass::$field_alt_tag in osci_tk_figure_field_formatter_view() (line 103 of /data/www/osci-new/sites/all/OSCI-Toolkit/modules/osci_tk_figure/osci_tk_figure.module).
Notice: Undefined property: stdClass::$field_alt_tag in osci_tk_figure_field_formatter_view() (line 103 of /data/www/osci-new/sites/all/OSCI-Toolkit/modules/osci_tk_figure/osci_tk_figure.module).
Notice: Undefined property: stdClass::$field_alt_tag in osci_tk_figure_field_formatter_view() (line 103 of /data/www/osci-new/sites/all/OSCI-Toolkit/modules/osci_tk_figure/osci_tk_figure.module).
Notice: Undefined property: stdClass::$field_alt_tag in osci_tk_figure_field_formatter_view() (line 103 of /data/www/osci-new/sites/all/OSCI-Toolkit/modules/osci_tk_figure/osci_tk_figure.module).
Notice: Undefined property: stdClass::$field_alt_tag in osci_tk_figure_field_formatter_view() (line 103 of /data/www/osci-new/sites/all/OSCI-Toolkit/modules/osci_tk_figure/osci_tk_figure.module).
Notice: Undefined property: stdClass::$field_alt_tag in osci_tk_figure_field_formatter_view() (line 103 of /data/www/osci-new/sites/all/OSCI-Toolkit/modules/osci_tk_figure/osci_tk_figure.module).
Notice: Undefined property: stdClass::$field_alt_tag in osci_tk_figure_field_formatter_view() (line 103 of /data/www/osci-new/sites/all/OSCI-Toolkit/modules/osci_tk_figure/osci_tk_figure.module).
Notice: Undefined property: stdClass::$field_alt_tag in osci_tk_figure_field_formatter_view() (line 103 of /data/www/osci-new/sites/all/OSCI-Toolkit/modules/osci_tk_figure/osci_tk_figure.module).
Notice: Undefined property: stdClass::$field_alt_tag in osci_tk_figure_field_formatter_view() (line 103 of /data/www/osci-new/sites/all/OSCI-Toolkit/modules/osci_tk_figure/osci_tk_figure.module).
Notice: Undefined property: stdClass::$field_alt_tag in osci_tk_figure_field_formatter_view() (line 103 of /data/www/osci-new/sites/all/OSCI-Toolkit/modules/osci_tk_figure/osci_tk_figure.module).
Notice: Undefined property: stdClass::$field_alt_tag in osci_tk_figure_field_formatter_view() (line 103 of /data/www/osci-new/sites/all/OSCI-Toolkit/modules/osci_tk_figure/osci_tk_figure.module).
Notice: Undefined property: stdClass::$field_alt_tag in osci_tk_figure_field_formatter_view() (line 103 of /data/www/osci-new/sites/all/OSCI-Toolkit/modules/osci_tk_figure/osci_tk_figure.module).
Notice: Undefined property: stdClass::$field_alt_tag in osci_tk_figure_field_formatter_view() (line 103 of /data/www/osci-new/sites/all/OSCI-Toolkit/modules/osci_tk_figure/osci_tk_figure.module).
Notice: Undefined property: stdClass::$field_alt_tag in osci_tk_figure_field_formatter_view() (line 103 of /data/www/osci-new/sites/all/OSCI-Toolkit/modules/osci_tk_figure/osci_tk_figure.module).
Notice: Undefined property: stdClass::$field_alt_tag in osci_tk_figure_field_formatter_view() (line 103 of /data/www/osci-new/sites/all/OSCI-Toolkit/modules/osci_tk_figure/osci_tk_figure.module).
Notice: Undefined property: stdClass::$field_alt_tag in osci_tk_figure_field_formatter_view() (line 103 of /data/www/osci-new/sites/all/OSCI-Toolkit/modules/osci_tk_figure/osci_tk_figure.module).
Notice: Undefined property: stdClass::$field_alt_tag in osci_tk_figure_field_formatter_view() (line 103 of /data/www/osci-new/sites/all/OSCI-Toolkit/modules/osci_tk_figure/osci_tk_figure.module).
Notice: Undefined property: stdClass::$field_alt_tag in osci_tk_figure_field_formatter_view() (line 103 of /data/www/osci-new/sites/all/OSCI-Toolkit/modules/osci_tk_figure/osci_tk_figure.module).
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Detail of the signature in Monet’s The Beach at Sainte-Adresse (1867). The Art Institute of Chicago, 1933.439. See cat. 13.
fig. .2
Detail of the signature in Monet’s On the Banks of the Seine, Bennecourt (1868). The Art Institute of Chicago, 1922.427. See cat. 14.
fig. .3
Detail of the signature in Monet’s The Artist’s House at Argenteuil (1873). The Art Institute of Chicago, 1933.1153. See cat. 15.
fig. .4
Detail of the signature in Monet’s Arrival of the Normandy Train, Gare Saint-Lazare (1877). The Art Institute of Chicago, 1933.1158. See cat. 16.
fig. .5
Detail of the signature in Monet’s Apples and Grapes (1880). The Art Institute of Chicago, 1933.1152. See cat. 17.
fig. .6
Detail of the signature in Monet’s Boats Lying at Low Tide at Fécamp (1881). The Art Institute of Chicago, promised gift of Marian Phelps Pawlick, obj. 222491. See cat. 18.
fig. .7
Detail of the signature in Monet’s Cliff Walk at Pourville (1882). The Art Institute of Chicago, 1933.443. See cat. 19.
fig. .8
Detail of the signature in Monet’s Bordighera (1884). The Art Institute of Chicago, 1922.426. See cat. 20.
fig. .9
Detail of the signature in Monet’s Étretat: The Beach and the Falaise d’Amont (1885). The Art Institute of Chicago, 1964.204. See cat. 21.
fig. .10
Detail of the signature in Monet’s Boats on the Beach at Étretat (1885). The Art Institute of Chicago, 1947.95. See cat. 22.
fig. .11
Detail of the signature in Monet’s The Departure of the Boats, Étretat (1885). The Art Institute of Chicago, 1922.428. See cat. 23.
fig. .12
Detail of the signature in Monet’s Rocks at Port-Goulphar, Belle-Île (1886). The Art Institute of Chicago, 1964.210. See cat. 24.
fig. .13
Detail of the signature in Monet’s The Petite Creuse River (1889). The Art Institute of Chicago, 1922.432. See cat. 25.
fig. .14
Detail of the signature in Monet’s Poppy Field (Giverny) (1890–91). The Art Institute of Chicago, 1922.4465. See cat. 26.
fig. .15
Detail of the signature in Monet’s Stacks of Wheat (End of Summer) (1890/91). The Art Institute of Chicago, 1985.1103. See cat. 27.
fig. .16
Detail of the signature in Monet’s Stacks of Wheat (End of Day, Autumn) (1890/91). The Art Institute of Chicago, 1933.444. See cat. 28.
fig. .17
Detail of the signature in Monet’s Stacks of Wheat (Sunset, Snow Effect) (1890/91). The Art Institute of Chicago, 1922.431. See cat. 29.
fig. .18
Detail of the signature in Monet’s Stack of Wheat (Snow Effect, Overcast Day) (1890/91). The Art Institute of Chicago, 1933.1155. See cat. 30.
fig. .19
Detail of the signature in Monet’s Stack of Wheat (1890/91). The Art Institute of Chicago, 1983.29. See cat. 31.
fig. .20
Detail of the signature in Monet’s Stack of Wheat (Thaw, Sunset) (1890/91). The Art Institute of Chicago, 1983.166. See cat. 32.
fig. .21
Detail of the signature in Monet’s Sandvika, Norway (1895). The Art Institute of Chicago, 1961.790. See cat. 34.
fig. .22
Detail of the signature in Monet’s The Customs House at Varengeville (1897). The Art Institute of Chicago, 1933.1149. See cat. 35.
fig. .23
Detail of the signature in Monet’s Branch of the Seine Near Giverny (Mist), from the series Mornings on the Seine (1897). The Art Institute of Chicago, 1933.1156. See cat. 36.
fig. .24
Detail of the signature in Monet’s Water Lily Pond (1900). The Art Institute of Chicago, 1933.441. See cat. 37.
fig. .25
Detail of the signature in Monet’s Waterloo Bridge, Gray Weather (1900). The Art Institute of Chicago, 1984.1173. See cat. 38.
fig. .26
Detail of the signature in Monet’s Waterloo Bridge, Sunlight Effect (1903). The Art Institute of Chicago, 1933.1163. See cat. 39.
fig. .27
Detail of the signature in Monet’s Charing Cross Bridge, London (1901). The Art Institute of Chicago, 1933.1150. See cat. 40.
fig. .28
Detail of the signature in Monet’s Houses of Parliament, London (1900–01). The Art Institute of Chicago, 1933.1164. See cat. 41.
fig. .29
Detail of the signature in Monet’s Vétheuil (1901). The Art Institute of Chicago, 1933.447. See cat. 42.
fig. .30
Detail of the signature in Monet’s Vétheuil (1901). The Art Institute of Chicago, 1933.1161. See cat. 43.
fig. .31
Detail of the signature in Monet’s Water Lilies (1906). The Art Institute of Chicago, 1933.1157. See cat. 44.
fig. .32
Detail of the signature in Monet’s Venice, Palazzo Dario (1908). The Art Institute of Chicago, 1933.446. See cat. 45.
fig. .33
Detail of the signature stamp in Monet’s Irises (1914/17). The Art Institute of Chicago, 1956.1202. See cat. 46.
fig. 34
Detail of the signature stamp in Monet’s Water Lily Pond (1917/19), from a black-and-white photograph taken in 1963. The stamp has since been removed. The Art Institute of Chicago, 1982.825. See cat. 47.
fig. .1
Detail of the signature in Monet’s The Beach at Sainte-Adresse (1867). The Art Institute of Chicago, 1933.439. See cat. 13.
fig. .2
Detail of the signature in Monet’s On the Banks of the Seine, Bennecourt (1868). The Art Institute of Chicago, 1922.427. See cat. 14.
fig. .3
Detail of the signature in Monet’s The Artist’s House at Argenteuil (1873). The Art Institute of Chicago, 1933.1153. See cat. 15.
fig. .4
Detail of the signature in Monet’s Arrival of the Normandy Train, Gare Saint-Lazare (1877). The Art Institute of Chicago, 1933.1158. See cat. 16.
fig. .5
Detail of the signature in Monet’s Apples and Grapes (1880). The Art Institute of Chicago, 1933.1152. See cat. 17.
fig. .6
Detail of the signature in Monet’s Boats Lying at Low Tide at Fécamp (1881). The Art Institute of Chicago, promised gift of Marian Phelps Pawlick, obj. 222491. See cat. 18.
fig. .7
Detail of the signature in Monet’s Cliff Walk at Pourville (1882). The Art Institute of Chicago, 1933.443. See cat. 19.
fig. .8
Detail of the signature in Monet’s Bordighera (1884). The Art Institute of Chicago, 1922.426. See cat. 20.
fig. .9
Detail of the signature in Monet’s Étretat: The Beach and the Falaise d’Amont (1885). The Art Institute of Chicago, 1964.204. See cat. 21.
fig. .10
Detail of the signature in Monet’s Boats on the Beach at Étretat (1885). The Art Institute of Chicago, 1947.95. See cat. 22.
fig. .11
Detail of the signature in Monet’s The Departure of the Boats, Étretat (1885). The Art Institute of Chicago, 1922.428. See cat. 23.
fig. .12
Detail of the signature in Monet’s Rocks at Port-Goulphar, Belle-Île (1886). The Art Institute of Chicago, 1964.210. See cat. 24.
fig. .13
Detail of the signature in Monet’s The Petite Creuse River (1889). The Art Institute of Chicago, 1922.432. See cat. 25.
fig. .14
Detail of the signature in Monet’s Poppy Field (Giverny) (1890–91). The Art Institute of Chicago, 1922.4465. See cat. 26.
fig. .15
Detail of the signature in Monet’s Stacks of Wheat (End of Summer) (1890/91). The Art Institute of Chicago, 1985.1103. See cat. 27.
fig. .16
Detail of the signature in Monet’s Stacks of Wheat (End of Day, Autumn) (1890/91). The Art Institute of Chicago, 1933.444. See cat. 28.
fig. .17
Detail of the signature in Monet’s Stacks of Wheat (Sunset, Snow Effect) (1890/91). The Art Institute of Chicago, 1922.431. See cat. 29.
fig. .18
Detail of the signature in Monet’s Stack of Wheat (Snow Effect, Overcast Day) (1890/91). The Art Institute of Chicago, 1933.1155. See cat. 30.
fig. .19
Detail of the signature in Monet’s Stack of Wheat (1890/91). The Art Institute of Chicago, 1983.29. See cat. 31.
fig. .20
Detail of the signature in Monet’s Stack of Wheat (Thaw, Sunset) (1890/91). The Art Institute of Chicago, 1983.166. See cat. 32.
fig. .21
Detail of the signature in Monet’s Sandvika, Norway (1895). The Art Institute of Chicago, 1961.790. See cat. 34.
fig. .22
Detail of the signature in Monet’s The Customs House at Varengeville (1897). The Art Institute of Chicago, 1933.1149. See cat. 35.
fig. .23
Detail of the signature in Monet’s Branch of the Seine Near Giverny (Mist), from the series Mornings on the Seine (1897). The Art Institute of Chicago, 1933.1156. See cat. 36.
fig. .24
Detail of the signature in Monet’s Water Lily Pond (1900). The Art Institute of Chicago, 1933.441. See cat. 37.
fig. .25
Detail of the signature in Monet’s Waterloo Bridge, Gray Weather (1900). The Art Institute of Chicago, 1984.1173. See cat. 38.
fig. .26
Detail of the signature in Monet’s Waterloo Bridge, Sunlight Effect (1903). The Art Institute of Chicago, 1933.1163. See cat. 39.
fig. .27
Detail of the signature in Monet’s Charing Cross Bridge, London (1901). The Art Institute of Chicago, 1933.1150. See cat. 40.
fig. .28
Detail of the signature in Monet’s Houses of Parliament, London (1900–01). The Art Institute of Chicago, 1933.1164. See cat. 41.
fig. .29
Detail of the signature in Monet’s Vétheuil (1901). The Art Institute of Chicago, 1933.447. See cat. 42.
fig. .30
Detail of the signature in Monet’s Vétheuil (1901). The Art Institute of Chicago, 1933.1161. See cat. 43.
fig. .31
Detail of the signature in Monet’s Water Lilies (1906). The Art Institute of Chicago, 1933.1157. See cat. 44.
fig. .32
Detail of the signature in Monet’s Venice, Palazzo Dario (1908). The Art Institute of Chicago, 1933.446. See cat. 45.
fig. .33
Detail of the signature stamp in Monet’s Irises (1914/17). The Art Institute of Chicago, 1956.1202. See cat. 46.
fig. 34
Detail of the signature stamp in Monet’s Water Lily Pond (1917/19), from a black-and-white photograph taken in 1963. The stamp has since been removed. The Art Institute of Chicago, 1982.825. See cat. 47.
